The itinerary begins in the atrium of the Liviano and introduces the genesis of the fresco created by Massimo Campigli in 1939, focusing on thematic and stylistic choices, sources of inspiration, and the difficulties faced during execution.<\/p>\n
The path continues with the figure of Tito Livio, present both in the fresco and in the sculpture by Arturo Martini, and then shifts to the Museum of Archaeological Sciences and Art, where the formation and meaning of the collection, born from the donation of Antonio Vallisneri and linked to the sixteenth-century collection of Marco Mantova Benavides, are illustrated. The educational value of the materials, the role of the collection in shaping taste, and the interest in testimonies of local antiquity are highlighted.<\/p>\n
Finally, the journey concludes in the Sala dei Giganti, retracing its decorative history from the initial undertaking related to Francesco Petrarca to the sixteenth-century renewal promoted by Venetian authorities.<\/p>\n